Samsung Young Design Awards
2007
This was the official website for the 2007 Samsung Young Design Awards, a proactive learning program for students.
Content is from the site's 2007 archived pages. and other sources.
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Subscribe and download the competition entry kit. Once you completed the subscription you will receive your Entry Code.
Students have to react to the brief uploading their work in SYDA website before 00:30 Central European Time (CET) of the 15th June 2007.
Students must clearly communicate their design concept utilizing sketches, storyboards, renders, pictures and any kind of visual tool that can help to best describe the innovative idea.

During the fist Jury’s session will be selected the most 10/15 interesting entries.
Selected students will be announced the 2nd July, this day is also the opening of the second competition phase.
Based on the jury feedback and comment selected student have to redesign their initial idea and upload in SYDA web site their new work by 00:30 Central European Time (CET) of 5th September 2007.

On November 2007 Samsung Electronics Italia, with the contribution of ADI, will organize the Award Ceremony where selected students will be awarded and selected project will be exhibited.
FAQ
1. What is the Samsung Young Design Award?
Samsung Young Design Award is a proactive learning program for students. Students have the chance to challenge their creative flair following competition theme. After this step, they will have the unique opportunity to receive a feedback from the jury (which is composed of very famous designers). The Jury will support the award as a learning process, by: understanding subject, finding concept and designing selecting innovative concepts based on evaluation criteria making a first selection, giving students a pro/cons comment on their project making students refine their projects for final development. Then, selected students will present to the jury the final concept and projects mock ups during the final event and the jury will announce the winners. If you would like to receive some more additional information about the industrial design in Italy please check out the ADI web site at: http://www.adi-design.org
2. Do I need to produce a prototype?
No you don’t need to produce a prototype for this competition. This competition requires illustrations only.
3. It is possible to integrate into the concept a technology solution that doesn’t exist today?
Yes, as long as the idea is coherent with the ranked judging criteria. For example, the emerging technologies around big data have incentivized some contestants to consult DevOps engineers to place development protocols in the cloud. We encourage this provided that the end result is not entirely dependent on obscure or unproven technical solutions.
4. Can I send in more than one project?
Yes. Participants are allowed to submit 2 projects maximum for this competition. If the same entrant send more than two projects he/she will be disqualified and will not be considered in any of the submitted projects.
5. Will my entry be posted on www.samsugnyoungdesignaward.com regardless if I win?
Yes, a final event will be organized in a winner ceremony where all the selected work will be on show.
6. Do I need to submit in hard copy my project?
No, this is a web based competition, to participate you should first subscribe in the SYDA web site and then upload your work indicating just your entry code.
7. Will the sent PDF files be printed? What type of format will be used for the printing?
All the received PDF file will be printed for the first Jury session on A4 format. Portrait or landscape is up to the participants.
8. Who can enroll this competition?
9. What is the quality for the submitted work?
PRESS RELEASES
19/04/2007 SAMSUNG ELECTRONICS ITALIA SUPPORTS THE HOUSE OF DESIGNERS OF ESTERNI WITH ITS TECHNOLOGY
12/04/2007 SAMSUNG ELECTRONICS ITALIA, PARTNER OF PUBLIC DESIGN
11/04/2007 SAMSUNG ELECTRONICS IS LOOKING FOR ASPIRING DESIGNERS FOR THE SAMSUNG YOUNG DESIGN AWARD
02/04/2007 SAMSUNG ELECTRONICS ITALIA IN THE ITALIAN UNIVERSITIES WITH THE SAMSUNG YOUNG DESIGN AWARD
15/03/2007 SAMSUNG ELECTRONICS ITALIA LAUNCHES THE WEB SITE OF THE SAMSUNG YOUNG DESIGN AWARD
NEWS
Dear students...
21/06/2007
Dear students,
the award’s first submission phase is now terminated.
Thanks to all of you, all projects show great effort and enthusiasm!
On 2nd July 2007 selected student will be contacted i...
Dear students...
16/05/2007
Dear students
on the 15th of June the first phase of the SYDA will end up.
Those who won’t upload their projects within that date, will be automatically excluded from the Competition.
For any furth...
WINNER 2007
Samsung Young Designer Award 2007: Winner
Concept: This booth was inspired by sumsung U700.
Group member : Vilawan Layanun, Vipasporn Sripom, Navapron Wongphet, Parinthon Rattanataveesopon


Design Structure : Wall panel size based on standard side of particle board and more flexible for bigger areas of exhibition. The booth based on the product concept.




More Background On SamsungYoungDesignAward.com
SamsungYoungDesignAward.com served as the official online home of the Samsung Young Design Award (SYDA), an international student design competition launched in 2007 by Samsung Electronics Italia in collaboration with the Associazione per il Disegno Industriale. Rather than functioning solely as a contest website, the platform was designed as a complete educational environment where aspiring industrial designers could register, receive competition briefs, upload projects, obtain professional feedback, and ultimately compete for recognition before a distinguished jury of internationally respected designers. The website reflected Samsung's broader commitment during the mid-2000s to positioning design as one of its defining competitive advantages rather than simply an aesthetic enhancement to its products.
Unlike many student competitions that focused only on selecting winners, the Samsung Young Design Award emphasized learning through an iterative design process. Students were expected not only to submit an original concept but also to refine and improve their work after receiving detailed comments from experienced professionals. This educational philosophy distinguished the program from many traditional design contests and helped explain why it attracted attention from universities throughout Italy and eventually beyond. The archived competition materials likewise emphasize this "proactive learning" approach rather than simply awarding prizes.
Samsung's Growing Commitment to Design
To understand the significance of SamsungYoungDesignAward.com, it helps to understand Samsung's transformation during the early 2000s. Throughout the 1990s and especially after 2000, Samsung invested heavily in industrial design, user experience, and product innovation. The company increasingly viewed design as a strategic business function capable of differentiating its products in highly competitive global markets rather than treating it as a final styling exercise. This philosophy led Samsung to establish international design centers, recruit world-class designers, and support educational initiatives that encouraged emerging talent.
By 2007, Samsung had already established a reputation for producing innovative consumer electronics while simultaneously receiving increasing recognition from major international design organizations. Supporting a student competition aligned naturally with the company's objective of encouraging fresh thinking while strengthening relationships with future generations of designers.
Samsung Electronics Italia became one of the company's most active regional organizations in promoting industrial design education. Rather than limiting its activities to product marketing, the Italian division collaborated directly with educational institutions and professional design organizations, demonstrating a long-term investment in cultivating new creative talent.
Why Italy Was an Ideal Location
Italy has long occupied a unique place in the history of industrial design. Cities such as Milan are internationally recognized as centers for architecture, furniture, fashion, automotive styling, and product innovation. Annual events such as the Salone del Mobile attract designers from around the world, while institutions including the ADI have played influential roles in promoting excellence in industrial design.
Hosting the Samsung Young Design Award in Italy therefore provided immediate credibility. Students participating in the competition were entering an environment where design carried significant cultural importance and where professional opportunities extended across numerous industries.
Samsung also benefited by associating itself with one of Europe's strongest design traditions. Working alongside ADI enabled the competition to connect directly with respected educators, practicing designers, and universities that had helped shape modern industrial design for decades.
Partnership with ADI
One of the defining strengths of SamsungYoungDesignAward.com was its close relationship with the Italian Association for Industrial Design (ADI). Founded in 1956, ADI has been one of Europe's most influential organizations dedicated to promoting industrial design, professional standards, research, and education.
Rather than acting merely as a sponsor, ADI contributed to the educational direction of the competition by helping assemble respected juries, encouraging university participation, and lending institutional credibility to the award. The organization's involvement also helped reassure participating students that the competition represented genuine professional development rather than simply a corporate marketing exercise.
Later editions continued this relationship, with juries including internationally recognized designers, educators, journalists, and Samsung design executives. The partnership demonstrated a continuing commitment to blending commercial innovation with academic excellence.
How SamsungYoungDesignAward.com Worked
The website itself functioned as the operational center of the entire competition.
Students first registered online and downloaded the official competition materials. Upon registration they received a unique entry code, allowing anonymous evaluation during judging while simplifying project management throughout the submission process.
The competition unfolded in several carefully organized stages.
The first phase required participants to interpret Samsung's design brief and submit comprehensive visual presentations before the June deadline. Rather than requesting physical prototypes, entrants prepared detailed concept presentations using sketches, renderings, photographs, diagrams, and storyboards capable of communicating their ideas clearly to the jury. This reduced participation costs while allowing creativity to remain the primary evaluation criterion.
Following the initial submissions, jurors selected approximately ten to fifteen of the strongest concepts.
Instead of immediately naming winners, however, selected students entered a second phase during which they received detailed critiques from the jury. Participants then revised their concepts based on professional feedback before submitting improved versions several months later.
This iterative review process mirrored real-world product development, where multiple rounds of refinement often determine the success of commercial products. It also provided students with invaluable experience responding to constructive criticism—a critical professional skill rarely emphasized in traditional academic competitions.
The competition concluded with a public award ceremony and exhibition where finalists presented their work before the jury and broader design community.
Judging Criteria and Educational Philosophy
One of the distinguishing characteristics of the Samsung Young Design Award was that it was structured as a learning experience rather than simply a contest. Participants were encouraged to explore ideas creatively while balancing innovation with practicality. The jury evaluated submissions using criteria that emphasized originality, feasibility, clarity of presentation, and the overall ability of the concept to improve everyday life.
Unlike competitions where a single presentation determines the final outcome, SYDA encouraged continual improvement. Jurors provided detailed comments explaining the strengths and weaknesses of selected projects, allowing finalists to rethink their concepts before presenting refined versions during the final judging stage. This mirrored professional product development, where concepts evolve through repeated review and collaboration rather than emerging fully formed.
The educational value of this process appealed to both students and university instructors because it exposed participants to the realities of industrial design practice. Rather than viewing criticism as failure, entrants learned to use professional feedback as an essential design tool. This philosophy anticipated many of today's "design thinking" approaches that emphasize iterative problem solving, prototyping, testing, and refinement.
Competition Themes and Creative Challenges
The annual competition brief challenged students to think beyond simply designing attractive products. Samsung sought ideas that reflected changing lifestyles, emerging technologies, and evolving consumer expectations.
Participants were encouraged to address questions such as:
- How could technology become more intuitive?
- How might electronic products better integrate into everyday life?
- What new experiences could future products create?
- How could design improve usability while remaining visually compelling?
Rather than prescribing highly specific technical solutions, Samsung encouraged broad conceptual thinking. This allowed students from diverse educational backgrounds to approach the same problem from different perspectives.
Because prototypes were not required, participants could explore ambitious concepts that might not yet be technically feasible but demonstrated strong creative potential. This emphasis on visionary thinking enabled students to experiment with emerging technologies and future scenarios without being constrained by manufacturing limitations. The competition rules specifically acknowledged that concepts could incorporate technologies that did not yet exist, provided the ideas remained coherent and well justified.
The 2007 Winning Project
The archived website highlights the winning concept from the inaugural competition, created by a team consisting of Vilawan Layanun, Vipasporn Sripom, Navapron Wongphet, and Parinthon Rattanataveesopon. Their proposal centered on an exhibition booth inspired by Samsung's U700 mobile phone, one of the company's flagship products at the time.
Rather than simply creating a display stand, the team developed a modular exhibition environment based on the dimensions of standard particle board panels. The resulting structure was flexible enough to accommodate exhibition spaces of varying sizes while visually reflecting the aesthetic language of the featured product.
The project demonstrated several qualities Samsung sought to encourage:
- modular thinking,
- efficient use of materials,
- strong visual identity,
- adaptability,
- and integration of branding with architectural design.
Although the concept was created specifically for exhibition use, it illustrated broader principles of industrial design by considering manufacturing efficiency, installation flexibility, and visitor experience simultaneously.
Website Features and Navigation
Although relatively modest by modern standards, SamsungYoungDesignAward.com served as a sophisticated competition management platform for its time.
The site included sections devoted to:
- competition registration,
- downloadable entry materials,
- competition briefs,
- submission instructions,
- frequently asked questions,
- news updates,
- official press releases,
- jury announcements,
- finalist information,
- winner showcases,
- and event details.
The FAQ section answered many practical questions regarding eligibility, submission formats, project limits, illustration requirements, and judging procedures. Participants learned that no physical prototypes were necessary, submissions would be printed for jury review on A4 paper, and each entrant could submit a maximum of two projects. These detailed instructions reduced uncertainty and helped standardize submissions from students across multiple institutions.
News announcements kept students informed throughout the competition timeline. For example, reminders warned participants of approaching submission deadlines, while later notices thanked entrants for their enthusiasm and explained when shortlisted competitors would be contacted. This continual communication helped maintain engagement throughout the several-month competition process.
Press and Public Relations
Samsung Electronics Italia actively promoted the award through a series of press releases during 2007. These announcements highlighted the company's broader commitment to design education and innovation rather than simply advertising a student contest.
Topics included Samsung's support of design initiatives, partnerships with public design organizations, university outreach programs, and the official launch of the Samsung Young Design Award website. The announcements demonstrated that the competition formed part of a coordinated campaign to strengthen Samsung's presence within Italy's design community while encouraging collaboration between industry and higher education.
The competition also benefited from broader coverage within Italian design circles. Organizations connected with industrial design education recognized the initiative as an example of productive collaboration between academia and industry. Later editions continued attracting attention because they addressed contemporary themes such as sustainability, digital lifestyles, accessibility, healthcare, and environmental responsibility.
Evolution Beyond the First Competition
Although SamsungYoungDesignAward.com focused initially on the 2007 competition, the Samsung Young Design Award continued to evolve during subsequent years.
Later editions increasingly reflected changing priorities within both the design profession and Samsung's own innovation strategy. Themes expanded beyond consumer electronics to include sustainability, inclusive design, renewable energy, healthcare, smart cities, and social responsibility.
For example, later competitions challenged students to develop concepts supporting environmental sustainability and resource conservation. Some projects proposed renewable energy systems combining solar and wind power, while others explored methods of converting everyday human activity into usable electrical energy.
More recent editions have encouraged solutions aligned with the United Nations Sustainable Development Goals (SDGs). Winning concepts have included assistive technologies for people with disabilities, autonomous inspection systems for public infrastructure, and therapeutic products designed to improve quality of life for children and families. These evolving themes demonstrate how the competition has continually adapted to address emerging global challenges while maintaining its original educational mission.
Rather than remaining fixed as a traditional industrial design contest, the Samsung Young Design Award has grown into a platform encouraging interdisciplinary thinking across product design, interaction design, service design, engineering, sustainability, and social innovation.
